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Showing posts with label designer love. Show all posts
Showing posts with label designer love. Show all posts
Monday, October 25, 2010
I love this chair.
Dang, I wish I had designed this. The Careem Chair chair by Karim Rashid for Council nears perfection:
Monday, October 11, 2010
Monday, October 4, 2010
Yes!
n55 is a fantastic artist collective based in Copenhagen doing projects based on everyday life, living systems and mobility. They've recently completed a walking house. Awesome.
Thursday, September 2, 2010
Thursday, July 15, 2010
Modern Vernacular
Two recent articles that touch on similar topics, discuss ideas I've thought about for a long time: the connection between rural vernacular utility and Modern aesthetic and sensibility. I believe taking clues from objects derived out of pure necessity, can yield the best products: easy to use, nice to touch, and beautiful.
This great article by Gabriel Hargrove, who is working on a project called "Objects of the Rural Vernacular", cites many relationships between the two and provides many examples. He notes "this is not a call for more 'agrarian chic'"...but more to "[remind] users of the agency available to them through objects"
Best Made Company Axes
Staffan Holm Milk Stool
American pioneers had to make what they needed, with the materials immediately available to them. Through the (re)discovery of the book American Primitives by Robert W. Miller, published in 1972, Monica Khemsurov of Sight Unseen addresses similar thoughts as above by asking designer Paul Loebach to chose his favorite items, some of which are included below.

A hand-made wooden keg
a fold-able house key
and a corn grater.
Wednesday, March 31, 2010
Sunday, March 28, 2010
Saturday, March 13, 2010
Pure Beauty
New ski-jumping hill ‘New Holmenkollen Fyr’ in Oslo designed by the Danish JDS Architects, to be fully completed in 2011.
photos by: New Holmenkollen Fyr by JDS Architects
photos by: New Holmenkollen Fyr by JDS Architects
Tuesday, February 16, 2010
Mad Love for Muji
Muji Philosophy
MUJI is not a brand whose value rests in the frills and "extras" it adds to its products.
MUJI is simplicity - but a simplicity achieved through a complexity of thought and design.
MUJI's streamlining is the result of the careful elimination and subtraction of gratuitous features and design unrelated to function.
MUJI, the brand, is rational, and free of agenda, doctrine, and "isms." The MUJI concept derives from us continuously asking, "What is best from and individual's point of view?"
MUJI aspires to modesty and plainness, the better to adapt and shape itself to the styles, preferences, and practices of as wide a group of people as possible. This is the single most important reason people embrace MUJI.
MUJI - in its deliberate pursuit of the pure and the ordinary - achieves the extraordinary.
MUJI is not a brand whose value rests in the frills and "extras" it adds to its products.
MUJI is simplicity - but a simplicity achieved through a complexity of thought and design.
MUJI's streamlining is the result of the careful elimination and subtraction of gratuitous features and design unrelated to function.
MUJI, the brand, is rational, and free of agenda, doctrine, and "isms." The MUJI concept derives from us continuously asking, "What is best from and individual's point of view?"
MUJI aspires to modesty and plainness, the better to adapt and shape itself to the styles, preferences, and practices of as wide a group of people as possible. This is the single most important reason people embrace MUJI.
MUJI - in its deliberate pursuit of the pure and the ordinary - achieves the extraordinary.
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